C Dominant 9 Sus 4 Guitar Chord

RC4F5Gb7Bb9D
Explore C Dominant 9 Sus 4 in Chord8 →

Voicing Positions (6)

×R4b795x 3 3 3 3 3
4R9954b78 5 0 0 6 6
5R4954b78 8 0 0 6 6
5R4955b78 8 0 0 8 6
×R5b794x 3 5 3 3 1
4b795R41 1 0 0 1 1

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
R
m2
Minor 2nd
9
9
m3
Minor 3rd
M3
Major 3rd
4
4
♭5
Tritone
5
5
m6
Minor 6th
M6
Major 6th
b7
b7
M7
Major 7th

C Dominant 9 Sus 4 Chord

The C Dominant 9 Sus 4 chord is built from the intervals: R, 4, 5, b7, and 9. It contains the notes C, F, G, Bb, and D. As an extended chord, it adds color and depth beyond the basic triad.

What C Dominant 9 Sus 4 Is

The C Dominant 9 Sus 4 is a suspended second chord — the third is replaced by the major second above the root. This produces a quietly unresolved character: the chord refuses to commit to major or minor, and naturally pulls toward a resolution where the second drops to the third. Sus2 voicings sound bright and modern, common in folk and singer-songwriter material.

How C Dominant 9 Sus 4 Sounds

The suspended quality gives C Dominant 9 Sus 4 a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through C major, C sus4, C major creates the classic folk-rock sound of an embellished tonic.

How To Use C Dominant 9 Sus 4 In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing C Dominant 9 Sus 4 On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (C)

CCminC7CM7Cm7CdimCaugCsus2

Same quality (Dominant 9 Sus 4)

B Dominant 9 Sus 4Db Dominant 9 Sus 4D Dominant 9 Sus 4F Dominant 9 Sus 4G Dominant 9 Sus 4

See the music. Every interval has a color.

Open Chord8 →