F Dominant 9 Sus 4 Guitar Chord

RF4Bb5Cb7Eb9G
Explore F Dominant 9 Sus 4 in Chord8 →

Voicing Positions (6)

R4b795R1 1 1 0 1 1
R4b79591 1 1 0 1 3
9R9594b713 10 10 0 11 11
9R4594b713 13 10 0 11 11
12R4b795R13 13 13 0 13 13
12R4b795913 13 13 0 13 15

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
R
m2
Minor 2nd
9
9
m3
Minor 3rd
M3
Major 3rd
4
4
♭5
Tritone
5
5
m6
Minor 6th
M6
Major 6th
b7
b7
M7
Major 7th

F Dominant 9 Sus 4 Chord

The F Dominant 9 Sus 4 chord is built from the intervals: R, 4, 5, b7, and 9. It contains the notes F, Bb, C, Eb, and G. As an extended chord, it adds color and depth beyond the basic triad.

What F Dominant 9 Sus 4 Is

The F Dominant 9 Sus 4 is a suspended second chord — the third is replaced by the major second above the root. This produces a quietly unresolved character: the chord refuses to commit to major or minor, and naturally pulls toward a resolution where the second drops to the third. Sus2 voicings sound bright and modern, common in folk and singer-songwriter material.

How F Dominant 9 Sus 4 Sounds

The suspended quality gives F Dominant 9 Sus 4 a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through F major, F sus4, F major creates the classic folk-rock sound of an embellished tonic.

How To Use F Dominant 9 Sus 4 In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing F Dominant 9 Sus 4 On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (F)

FFminF7FM7Fm7FdimFaugFsus2

Same quality (Dominant 9 Sus 4)

E Dominant 9 Sus 4Gb Dominant 9 Sus 4G Dominant 9 Sus 4Bb Dominant 9 Sus 4C Dominant 9 Sus 4

See the music. Every interval has a color.

Open Chord8 →