B 9 Suspended 4th Guitar Chord

RRootM2Major 2ndP4Perfect 4thP5Perfect 5thm7Minor 7th
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Voicing Positions (6)

3Rm7P5M2RP47 0 4 6 0 0
3Rm7P5M2P4P47 0 4 6 5 0
6Rm7RP47 0 11 11 0 0
5Rm7m7M2P5P47 0 7 6 7 0
×RP5m7M2P4x 2 4 2 2 0
×RP4m7M2P5x 2 2 2 2 2

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

B 9 Suspended 4th Chord

The B 9 Suspended 4th chord is built from the intervals: Root, Major 2nd, Perfect 4th, Perfect 5th, and Minor 7th. It contains the notes B, C#, E, F#, and A. As an extended chord, it adds color and depth beyond the basic triad.

What B 9 Suspended 4th Is

The B 9 Suspended 4th is a suspended second chord — the third is replaced by the major second above the root. This produces a quietly unresolved character: the chord refuses to commit to major or minor, and naturally pulls toward a resolution where the second drops to the third. Sus2 voicings sound bright and modern, common in folk and singer-songwriter material.

How B 9 Suspended 4th Sounds

The suspended quality gives B 9 Suspended 4th a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through B major, B sus4, B major creates the classic folk-rock sound of an embellished tonic.

How To Use B 9 Suspended 4th In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing B 9 Suspended 4th On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (B)

BBmB7Bmaj7Bm7BdimBaugBsus2

Same quality (9 Suspended 4th)

A# 9 Suspended 4thC 9 Suspended 4thC# 9 Suspended 4thE 9 Suspended 4thF# 9 Suspended 4th

See the music. Every interval has a color.

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