C Suspended 2nd Guitar Chord

RRootM2Major 2ndP5Perfect 5th
Explore Csus2 in Chord8 →

Voicing Positions (6)

×RM2P5RP5x 3 0 0 1 3
×RP5RM2P5x 3 5 5 3 3
4RM2M2P5P5R8 5 0 0 8 8
7RP5M2P5P5R8 10 0 0 8 8
7RP5M2P5P5M28 10 0 0 8 10
×RM2RRP5x 3 0 5 1 3

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

C Suspended 2nd Chord

The C Suspended 2nd chord is built from the intervals: Root, Major 2nd, and Perfect 5th. It contains the notes C, D, and G. This is a suspended triad — one of the foundational chord types.

What C Suspended 2nd Is

The C Suspended 2nd is a suspended second chord — the third is replaced by the major second above the root. This produces a quietly unresolved character: the chord refuses to commit to major or minor, and naturally pulls toward a resolution where the second drops to the third. Sus2 voicings sound bright and modern, common in folk and singer-songwriter material.

How C Suspended 2nd Sounds

The suspended quality gives C Suspended 2nd a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through C major, C sus4, C major creates the classic folk-rock sound of an embellished tonic.

How To Use C Suspended 2nd In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing C Suspended 2nd On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (C)

CCmC7Cmaj7Cm7CdimCaugCsus4

Same quality (Suspended 2nd)

B Suspended 2ndC# Suspended 2ndD Suspended 2ndF Suspended 2ndG Suspended 2nd

See the music. Every interval has a color.

Open Chord8 →