F# Suspended Flat 9 Guitar Chord

RRootm2Minor 2ndP4Perfect 4thP5Perfect 5thm7Minor 7th
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Voicing Positions (6)

RP5m7m2P4m72 4 2 0 0 0
RP5Rm2P4m72 4 4 0 0 0
9m2P5m2P4m714 10 11 0 0 0
10RP4P5m2P4m714 14 11 0 0 0
11Rm7m2P4m714 16 14 12 0 0
11Rm7m2P4m714 16 14 0 12 0

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

F# Suspended Flat 9 Chord

The F# Suspended Flat 9 chord is built from the intervals: Root, Minor 2nd, Perfect 4th, Perfect 5th, and Minor 7th. It contains the notes F#, G, B, C#, and E. As an extended chord, it adds color and depth beyond the basic triad.

What F# Suspended Flat 9 Is

The F# Suspended Flat 9 is a suspended fourth chord — the third is replaced by the perfect fourth above the root. The fourth wants to resolve down to the third, which gives sus4 chords their characteristic forward motion. Held without resolving, they sound open and questioning; resolved into the parent major chord, they create the most basic and useful suspension in tonal music.

How F# Suspended Flat 9 Sounds

The suspended quality gives F# Suspended Flat 9 a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through F# major, F# sus4, F# major creates the classic folk-rock sound of an embellished tonic.

How To Use F# Suspended Flat 9 In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing F# Suspended Flat 9 On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (F#)

F#F#mF#7F#maj7F#m7F#dimF#augF#sus2

Same quality (Suspended Flat 9)

F Suspended Flat 9G Suspended Flat 9G# Suspended Flat 9B Suspended Flat 9C# Suspended Flat 9

See the music. Every interval has a color.

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