F# Suspended 2nd Guitar Chord

RRootM2Major 2ndP5Perfect 5th
Explore F#sus2 in Chord8 →

Voicing Positions (6)

RP5RM2P5R2 4 4 1 2 2
RP5RM2P5M22 4 4 1 2 4
10RM2P5RP5R14 11 11 11 14 14
10RM2P5M2P5R14 11 11 13 14 14
12RP5RM2P5R14 16 16 13 14 14
12RP5RM2P5M214 16 16 13 14 16

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

F# Suspended 2nd Chord

The F# Suspended 2nd chord is built from the intervals: Root, Major 2nd, and Perfect 5th. It contains the notes F#, G#, and C#. This is a suspended triad — one of the foundational chord types.

What F# Suspended 2nd Is

The F# Suspended 2nd is a suspended second chord — the third is replaced by the major second above the root. This produces a quietly unresolved character: the chord refuses to commit to major or minor, and naturally pulls toward a resolution where the second drops to the third. Sus2 voicings sound bright and modern, common in folk and singer-songwriter material.

How F# Suspended 2nd Sounds

The suspended quality gives F# Suspended 2nd a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through F# major, F# sus4, F# major creates the classic folk-rock sound of an embellished tonic.

How To Use F# Suspended 2nd In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing F# Suspended 2nd On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (F#)

F#F#mF#7F#maj7F#m7F#dimF#augF#sus4

Same quality (Suspended 2nd)

F Suspended 2ndG Suspended 2ndG# Suspended 2ndB Suspended 2ndC# Suspended 2nd

See the music. Every interval has a color.

Open Chord8 →