F# Minor Major 7 Guitar Chord

RF#b3A5C#7E#
Explore F# Minor Major 7 in Chord8 →

Voicing Positions (6)

Rb37b3572 0 3 2 2 1
Rb3Rb3572 0 4 2 2 1
9b357b3714 12 11 10 10 13
9b357b314 12 11 10 10 14
11Rb37b35714 12 15 14 14 13
11Rb37b35R14 12 15 14 14 14

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
R
m2
Minor 2nd
M2
Major 2nd
b3
b3
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
5
5
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
7
7

F# Minor Major 7 Chord

The F# Minor Major 7 chord is built from the intervals: R, b3, 5, and 7. It contains the notes F#, A, C#, and E#. The added seventh gives this chord a richer, more complex sound.

What F# Minor Major 7 Is

The F# Minor Major 7 is a minor triad — three notes stacked in a minor-third + major-third pattern. Where major chords sound bright, minor chords sound serious, melancholy, or contemplative. The minor third compresses the lower half of the chord, which is what gives it its inward-leaning emotional pull. Minor triads are central to folk, rock, classical, jazz, and almost every emotional ballad ever written.

How F# Minor Major 7 Sounds

A F# Minor Major 7 sounds inward, considered, often emotionally weighted. The minor third does not ring as openly as the major third, which gives the chord a more closed, contained character. Whether that reads as sad, mysterious, or simply serious depends entirely on the surrounding music.

How To Use F# Minor Major 7 In A Progression

The most common functions for F# Minor Major 7 are i (tonic) in the key of F# minor, ii in the major key a whole step below, iii in the major key a major third below, and vi in the major key a minor third above. The vi function — the relative minor — is especially common as the second chord of a I-V-vi-IV pop progression.

Playing F# Minor Major 7 On Guitar

On guitar, the most common voicings of F# Minor Major 7 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (F#)

F#F#minF#7F#M7F#m7F#dimF#augF#sus2

Same quality (Minor Major 7)

E# Minor Major 7G Minor Major 7G# Minor Major 7B Minor Major 7C# Minor Major 7

See the music. Every interval has a color.

Open Chord8 →