F# Diminished 7 Guitar Chord

RF#b3Ab5Cbb7Eb
Explore F# Diminished 7 in Chord8 →

Voicing Positions (6)

Rb3bb7b3b5R2 0 1 2 1 2
Rb3bb7b3b5b32 0 1 2 1 5
9b3b5Rb3bb714 12 10 11 10 11
9b3b5Rb5bb714 12 10 11 13 11
11Rb3bb7b3b5R14 12 13 14 13 14
12Rb5bb7b3b5R14 15 13 14 13 14

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
R
m2
Minor 2nd
M2
Major 2nd
b3
b3
M3
Major 3rd
P4
Perfect 4th
b5
b5
P5
Perfect 5th
m6
Minor 6th
bb7
bb7
m7
Minor 7th
M7
Major 7th

F# Diminished 7 Chord

The F# Diminished 7 chord is built from the intervals: R, b3, b5, and bb7. It contains the notes F#, A, C, and Eb. The added seventh gives this chord a richer, more complex sound.

What F# Diminished 7 Is

The F# Diminished 7 is a fully diminished seventh chord — three stacked minor thirds with the interval membership [0,3,6,9]. Its symmetrical structure makes it intensely unstable and useful for chromatic resolutions.

How F# Diminished 7 Sounds

The F# Diminished 7 has the tense, root-ambiguous character of a fully diminished seventh chord. Its three stacked minor thirds divide the octave symmetrically, so any chord tone can sound like a possible root and each note can resolve by a small step into a more stable harmony.

How To Use F# Diminished 7 In A Progression

Fully diminished seventh chords most often connect stable harmonies through chromatic motion. Their symmetrical interval membership lets the same four notes be reinterpreted from four roots, and their chord tones typically resolve by half-step. They can also substitute for rootless dominant flat-ninth chords because the upper four notes are identical.

Playing F# Diminished 7 On Guitar

On guitar, the most common voicings of F# Diminished 7 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (F#)

F#F#minF#7F#M7F#m7F#dimF#augF#sus2

Same quality (Diminished 7)

E# Diminished 7G Diminished 7G# Diminished 7B Diminished 7C# Diminished 7

See the music. Every interval has a color.

Open Chord8 →