F# 13th Guitar Chord

RRootM3Major 3rdP5Perfect 5thM6Major 6thm7Minor 7th
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Voicing Positions (6)

RM3M6M3P5m72 1 1 3 2 0
RP5M6M3P5m72 4 1 3 2 0
10RM3M6RP5m714 13 13 11 14 0
10RM3M6RP5m714 13 13 11 14 12
12RM3M6M3P5m714 13 13 15 14 0
12RP5M6M3P5m714 16 13 15 14 0

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

F# 13th Chord

The F# 13th chord is built from the intervals: Root, Major 3rd, Perfect 5th, Major 6th, and Minor 7th. It contains the notes F#, A#, C#, D#, and E. As an extended chord, it adds color and depth beyond the basic triad.

What F# 13th Is

The F# 13th is a dominant chord — a major triad with a flat seventh added on top. That added minor seventh creates a tritone with the major third (the famous "devil in music" interval), which is what makes dominant chords sound restless and what makes them the gravitational engine of tonal music. Every dominant chord wants to resolve, usually down a perfect fifth to the chord that shares its target as a root.

How F# 13th Sounds

A F# 13th rarely sounds final on its own. It carries a built-in sense of leaning forward, of needing to resolve. In blues this restless quality is often left unresolved on every chord of a 12-bar form, which is part of why blues sounds the way it does. In jazz and pop, dominant sevenths typically resolve down a fifth — V7 to I — completing a phrase.

How To Use F# 13th In A Progression

Dominant seventh chords are the engine of cadences. The most common use is V7 → I in a major key (so F# 13th would resolve to the chord a perfect fifth below the root). They also drive secondary dominants — chords that briefly tonicize a non-tonic chord — and are the backbone of every 12-bar blues progression.

Playing F# 13th On Guitar

On guitar, the most common voicings of F# 13th use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (F#)

F#F#mF#7F#maj7F#m7F#dimF#augF#sus2

Same quality (13th)

F 13thG 13thG# 13thB 13thC# 13th

See the music. Every interval has a color.

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