D# 9 Suspended 4th Guitar Chord

RRootM2Major 2ndP4Perfect 4thP5Perfect 5thm7Minor 7th
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Voicing Positions (6)

7RM2P5RP4m711 8 8 8 9 9
7RM2P5M2P4m711 8 8 10 9 9
8RP4m7M2P5m711 11 11 10 11 9
8RP4M2P5m711 11 13 10 11 9
×M2P5m7P4x 6 3 3 2 4
3×Rm7M2P4x 6 8 6 6 4

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

D# 9 Suspended 4th Chord

The D# 9 Suspended 4th chord is built from the intervals: Root, Major 2nd, Perfect 4th, Perfect 5th, and Minor 7th. It contains the notes D#, F, G#, A#, and C#. As an extended chord, it adds color and depth beyond the basic triad.

What D# 9 Suspended 4th Is

The D# 9 Suspended 4th is a suspended second chord — the third is replaced by the major second above the root. This produces a quietly unresolved character: the chord refuses to commit to major or minor, and naturally pulls toward a resolution where the second drops to the third. Sus2 voicings sound bright and modern, common in folk and singer-songwriter material.

How D# 9 Suspended 4th Sounds

The suspended quality gives D# 9 Suspended 4th a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through D# major, D# sus4, D# major creates the classic folk-rock sound of an embellished tonic.

How To Use D# 9 Suspended 4th In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing D# 9 Suspended 4th On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (D#)

D#D#mD#7D#maj7D#m7D#dimD#augD#sus2

Same quality (9 Suspended 4th)

D 9 Suspended 4thE 9 Suspended 4thF 9 Suspended 4thG# 9 Suspended 4thA# 9 Suspended 4th

See the music. Every interval has a color.

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