C Flat 5 Guitar Chord

RRootM3Major 3rd♭5Tritone
Explore C(♭5) in shape.music →

Voicing Positions (6)

3M3♭5RM3M38 7 4 5 5 0
3M3♭5R♭5M38 7 4 5 7 0
6RM3RM3♭5M38 7 10 9 7 0
6R♭5RM3♭5M38 9 10 9 7 0
×R♭5RRM3x 3 4 5 1 0
×RM3RR♭5x 3 2 5 1 2

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

C Flat 5 Chord

The C Flat 5 chord is built from the intervals: Root, Major 3rd, and Tritone. It contains the notes C, E, and F#. This is a triad — one of the foundational chord types.

What C Flat 5 Is

The C Flat 5 is a major triad — three notes stacked in a major-third + minor-third pattern. It is the most fundamental and harmonically stable chord in Western music. The major third gives it its bright, open, optimistic character, and the perfect fifth on top reinforces the root. Almost every popular song you have ever heard begins or ends on a major chord of some kind.

How C Flat 5 Sounds

A C Flat 5 sounds open, resolved, and confident. There is nothing pulling against itself in the chord — the major third and perfect fifth reinforce each other, and the chord can sit comfortably as a final resting point. This is part of why the major triad is the most-used chord in popular music — it sounds finished.

How To Use C Flat 5 In A Progression

The most common functions for C Flat 5 are I (tonic) in the key of C, IV (subdominant) in the key a fifth below, and V (dominant) in the key a fifth above. It also appears as bVI and bIII in minor keys, where it provides a sudden brightness against the prevailing minor tonality.

Playing C Flat 5 On Guitar

On guitar, the most common voicings of C Flat 5 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (C)

CCmC7Cmaj7Cm7CdimCaugCsus2

Same quality (Flat 5)

B Flat 5C# Flat 5D Flat 5F Flat 5G Flat 5

See the music. Every interval has a color.

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