A# Suspended 2nd Guitar Chord

RRootM2Major 2ndP5Perfect 5th
Explore A#sus2 in Chord8 →

Voicing Positions (6)

RM2P5RP5R6 3 3 3 6 6
RM2P5M2P5R6 3 3 5 6 6
5RP5RP5M26 8 8 10 6 8
5RP5P5R6 8 10 10 6 6
×RP5RM2P5x 1 3 3 1 1
×RP5M2M2P5x 1 3 5 1 1

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

A# Suspended 2nd Chord

The A# Suspended 2nd chord is built from the intervals: Root, Major 2nd, and Perfect 5th. It contains the notes A#, C, and F. This is a suspended triad — one of the foundational chord types.

What A# Suspended 2nd Is

The A# Suspended 2nd is a suspended second chord — the third is replaced by the major second above the root. This produces a quietly unresolved character: the chord refuses to commit to major or minor, and naturally pulls toward a resolution where the second drops to the third. Sus2 voicings sound bright and modern, common in folk and singer-songwriter material.

How A# Suspended 2nd Sounds

The suspended quality gives A# Suspended 2nd a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through A# major, A# sus4, A# major creates the classic folk-rock sound of an embellished tonic.

How To Use A# Suspended 2nd In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing A# Suspended 2nd On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (A#)

A#A#mA#7A#maj7A#m7A#dimA#augA#sus4

Same quality (Suspended 2nd)

A Suspended 2ndB Suspended 2ndC Suspended 2ndD# Suspended 2ndF Suspended 2nd

See the music. Every interval has a color.

Open Chord8 →