F Minor 6/9 Guitar Chord

RRootM2Major 2ndm3Minor 3rdP5Perfect 5thM6Major 6th
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Voicing Positions (6)

RP5M6M2P5m31 3 0 0 1 4
RP5M6M2M6m31 3 0 0 3 4
9Rm3M6M2P5M613 11 0 0 13 10
8M2P5M2m3M613 10 10 0 9 10
12RP5M6M2P5m313 15 0 0 13 16
12RP5M6M2M6m313 15 0 0 15 16

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

F Minor 6/9 Chord

The F Minor 6/9 chord is built from the intervals: Root, Major 2nd, Minor 3rd, Perfect 5th, and Major 6th. It contains the notes F, G, G#, C, and D. As an extended chord, it adds color and depth beyond the basic triad.

What F Minor 6/9 Is

The F Minor 6/9 is a minor triad — three notes stacked in a minor-third + major-third pattern. Where major chords sound bright, minor chords sound serious, melancholy, or contemplative. The minor third compresses the lower half of the chord, which is what gives it its inward-leaning emotional pull. Minor triads are central to folk, rock, classical, jazz, and almost every emotional ballad ever written.

How F Minor 6/9 Sounds

A F Minor 6/9 sounds inward, considered, often emotionally weighted. The minor third does not ring as openly as the major third, which gives the chord a more closed, contained character. Whether that reads as sad, mysterious, or simply serious depends entirely on the surrounding music.

How To Use F Minor 6/9 In A Progression

The most common functions for F Minor 6/9 are i (tonic) in the key of F minor, ii in the major key a whole step below, iii in the major key a major third below, and vi in the major key a minor third above. The vi function — the relative minor — is especially common as the second chord of a I-V-vi-IV pop progression.

Playing F Minor 6/9 On Guitar

On guitar, the most common voicings of F Minor 6/9 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (F)

FFmF7Fmaj7Fm7FdimFaugFsus2

Same quality (Minor 6/9)

E Minor 6/9F# Minor 6/9G Minor 6/9A# Minor 6/9C Minor 6/9

See the music. Every interval has a color.

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