F Major 11th Guitar Chord

RRootM3Major 3rdP4Perfect 4thP5Perfect 5thM7Major 7th
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Voicing Positions (6)

RM3M7P4P5M71 0 2 3 1 0
RM3RP4P5M71 0 3 3 1 0
8M3P5M7P4M713 0 10 9 11 0
9RM3P5RP4M713 0 10 10 11 0
12RM3M7P4P5M713 0 14 15 13 0
12RM3RP4P5M713 0 15 15 13 0

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

F Major 11th Chord

The F Major 11th chord is built from the intervals: Root, Major 3rd, Perfect 4th, Perfect 5th, and Major 7th. It contains the notes F, A, A#, C, and E. As an extended chord, it adds color and depth beyond the basic triad.

What F Major 11th Is

The F Major 11th is a major seventh chord — a major triad with the major seventh added on top. The major seventh sits a half-step below the octave, which gives the chord its hallmark dreamy, slightly suspended sound. Major seventh chords are central to jazz, bossa nova, R&B, and any genre interested in lush, sophisticated harmony.

How F Major 11th Sounds

A F Major 11th sounds simultaneously stable and slightly suspended. The major seventh creates a soft dissonance against the root that hangs in the air, which is why these chords sound so well in slow ballads, film scores, and any music that wants to feel reflective. They almost glow.

How To Use F Major 11th In A Progression

Major seventh chords most commonly appear as I and IV in major keys. In jazz, they are the resting points of phrases. A F Major 11th as a tonic chord lets the harmony sit while the melody and voicings move freely above it; used as IV, the major seventh adds reflective colour to a moment of harmonic stability before moving back to the tonic.

Playing F Major 11th On Guitar

On guitar, the most common voicings of F Major 11th use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (F)

FFmF7Fmaj7Fm7FdimFaugFsus2

Same quality (Major 11th)

E Major 11thF# Major 11thG Major 11thA# Major 11thC Major 11th

See the music. Every interval has a color.

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