E Major 7 Sharp 5 Guitar Chord

RRootM3Major 3rdm6Minor 6thM7Major 7th
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Voicing Positions (6)

Rm6M7M3m6R0 3 1 1 1 0
Rm6M7M3M7R0 3 1 1 4 0
Rm6M3m6M7R0 3 6 5 4 0
3RM7M3m6M7R0 6 6 5 4 0
5RM7M7M3R0 6 10 8 9 0
5RM7RM3R0 6 10 9 9 0

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

E Major 7 Sharp 5 Chord

The E Major 7 Sharp 5 chord is built from the intervals: Root, Major 3rd, Minor 6th, and Major 7th. It contains the notes E, G#, C, and D#. The added seventh gives this chord a richer, more complex sound.

What E Major 7 Sharp 5 Is

The E Major 7 Sharp 5 is a major seventh chord — a major triad with the major seventh added on top. The major seventh sits a half-step below the octave, which gives the chord its hallmark dreamy, slightly suspended sound. Major seventh chords are central to jazz, bossa nova, R&B, and any genre interested in lush, sophisticated harmony.

How E Major 7 Sharp 5 Sounds

A E Major 7 Sharp 5 sounds simultaneously stable and slightly suspended. The major seventh creates a soft dissonance against the root that hangs in the air, which is why these chords sound so well in slow ballads, film scores, and any music that wants to feel reflective. They almost glow.

How To Use E Major 7 Sharp 5 In A Progression

Major seventh chords most commonly appear as I and IV in major keys. In jazz, they are the resting points of phrases. A E Major 7 Sharp 5 as a tonic chord lets the harmony sit while the melody and voicings move freely above it; used as IV, the major seventh adds reflective colour to a moment of harmonic stability before moving back to the tonic.

Playing E Major 7 Sharp 5 On Guitar

On guitar, the most common voicings of E Major 7 Sharp 5 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (E)

EEmE7Emaj7Em7EdimEaugEsus2

Same quality (Major 7 Sharp 5)

D# Major 7 Sharp 5F Major 7 Sharp 5F# Major 7 Sharp 5A Major 7 Sharp 5B Major 7 Sharp 5

See the music. Every interval has a color.

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