D# Dominant 7 Sus 4 Guitar Chord

RD#4G#5A#b7C#
Explore D# Dominant 7 Sus 4 in Chord8 →

Voicing Positions (6)

7R45R4b711 11 8 8 9 9
7R45R5b711 11 8 8 11 9
8R4b75b711 11 11 13 11 9
8R45b711 11 13 13 11 9
×5b74x 6 6 3 2 4
×5b7x 6 6 3 2 6

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
R
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
4
4
♭5
Tritone
5
5
m6
Minor 6th
M6
Major 6th
b7
b7
M7
Major 7th

D# Dominant 7 Sus 4 Chord

The D# Dominant 7 Sus 4 chord is built from the intervals: R, 4, 5, and b7. It contains the notes D#, G#, A#, and C#. As an extended chord, it adds color and depth beyond the basic triad.

What D# Dominant 7 Sus 4 Is

The D# Dominant 7 Sus 4 is a suspended fourth chord — the third is replaced by the perfect fourth above the root. The fourth wants to resolve down to the third, which gives sus4 chords their characteristic forward motion. Held without resolving, they sound open and questioning; resolved into the parent major chord, they create the most basic and useful suspension in tonal music.

How D# Dominant 7 Sus 4 Sounds

The suspended quality gives D# Dominant 7 Sus 4 a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through D# major, D# sus4, D# major creates the classic folk-rock sound of an embellished tonic.

How To Use D# Dominant 7 Sus 4 In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing D# Dominant 7 Sus 4 On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (D#)

D#D#minD#7D#M7D#m7D#dimD#augD#sus2

Same quality (Dominant 7 Sus 4)

C## Dominant 7 Sus 4E Dominant 7 Sus 4E# Dominant 7 Sus 4G# Dominant 7 Sus 4A# Dominant 7 Sus 4

See the music. Every interval has a color.

Open Chord8 →