D Dominant 7 Sharp 11 Guitar Chord
Voicing Positions (6)
Interval Colors
In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.
D Dominant 7 Sharp 11 Chord
The D Dominant 7 Sharp 11 chord is built from the intervals: R, 3, 5, b7, and #11. It contains the notes D, F#, A, C, and G#. Altered dominants create tension that resolves beautifully in jazz and blues progressions.
What D Dominant 7 Sharp 11 Is
The D Dominant 7 Sharp 11 is a dominant chord — a major triad with a flat seventh added on top. That added minor seventh creates a tritone with the major third (the famous "devil in music" interval), which is what makes dominant chords sound restless and what makes them the gravitational engine of tonal music. Every dominant chord wants to resolve, usually down a perfect fifth to the chord that shares its target as a root.
How D Dominant 7 Sharp 11 Sounds
A D Dominant 7 Sharp 11 rarely sounds final on its own. It carries a built-in sense of leaning forward, of needing to resolve. In blues this restless quality is often left unresolved on every chord of a 12-bar form, which is part of why blues sounds the way it does. In jazz and pop, dominant sevenths typically resolve down a fifth — V7 to I — completing a phrase.
How To Use D Dominant 7 Sharp 11 In A Progression
Dominant seventh chords are the engine of cadences. The most common use is V7 → I in a major key (so D Dominant 7 Sharp 11 would resolve to the chord a perfect fifth below the root). They also drive secondary dominants — chords that briefly tonicize a non-tonic chord — and are the backbone of every 12-bar blues progression.
Playing D Dominant 7 Sharp 11 On Guitar
On guitar, the most common voicings of D Dominant 7 Sharp 11 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.
Related Chords
Same quality (Dominant 7 Sharp 11)
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