C# 7 Sharp 9 Flat 13 Guitar Chord

RRootm3Minor 3rdM3Major 3rdP5Perfect 5thm6Minor 6thm7Minor 7th
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Voicing Positions (6)

5Rm6P5m7m39 0 6 10 0 0
4M3P5m7m69 8 6 9 0 5
6Rm6M3m7m39 11 7 10 0 0
4M3m69 8 9 9 9 5
8Rm6m7M3P5m39 0 9 10 9 0
8RP5m7M3m6m39 11 9 10 10 0

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

C# 7 Sharp 9 Flat 13 Chord

The C# 7 Sharp 9 Flat 13 chord is built from the intervals: Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, and Minor 7th. It contains the notes C#, E, F, G#, A, and B. Altered dominants create tension that resolves beautifully in jazz and blues progressions.

What C# 7 Sharp 9 Flat 13 Is

The C# 7 Sharp 9 Flat 13 is a dominant chord — a major triad with a flat seventh added on top. That added minor seventh creates a tritone with the major third (the famous "devil in music" interval), which is what makes dominant chords sound restless and what makes them the gravitational engine of tonal music. Every dominant chord wants to resolve, usually down a perfect fifth to the chord that shares its target as a root.

How C# 7 Sharp 9 Flat 13 Sounds

A C# 7 Sharp 9 Flat 13 rarely sounds final on its own. It carries a built-in sense of leaning forward, of needing to resolve. In blues this restless quality is often left unresolved on every chord of a 12-bar form, which is part of why blues sounds the way it does. In jazz and pop, dominant sevenths typically resolve down a fifth — V7 to I — completing a phrase.

How To Use C# 7 Sharp 9 Flat 13 In A Progression

Dominant seventh chords are the engine of cadences. The most common use is V7 → I in a major key (so C# 7 Sharp 9 Flat 13 would resolve to the chord a perfect fifth below the root). They also drive secondary dominants — chords that briefly tonicize a non-tonic chord — and are the backbone of every 12-bar blues progression.

Playing C# 7 Sharp 9 Flat 13 On Guitar

On guitar, the most common voicings of C# 7 Sharp 9 Flat 13 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (C#)

C#C#mC#7C#maj7C#m7C#dimC#augC#sus2

Same quality (7 Sharp 9 Flat 13)

C 7 Sharp 9 Flat 13D 7 Sharp 9 Flat 13D# 7 Sharp 9 Flat 13F# 7 Sharp 9 Flat 13G# 7 Sharp 9 Flat 13

See the music. Every interval has a color.

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