B Major 6 Guitar Chord

RB3D#5F#6G#
Explore B Major 6 in Chord8 →

Voicing Positions (6)

3R35RR67 6 4 4 0 4
3R35R67 6 4 8 0 4
5R563RR7 9 6 8 0 7
6RRR7 11 9 11 0 11
×R36R5x 2 1 1 0 2
×R3635x 2 1 1 4 2

Interval Colors

In Chord8, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
R
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
3
3
P4
Perfect 4th
♭5
Tritone
5
5
m6
Minor 6th
6
6
m7
Minor 7th
M7
Major 7th

B Major 6 Chord

The B Major 6 chord is built from the intervals: R, 3, 5, and 6. It contains the notes B, D#, F#, and G#. The added seventh gives this chord a richer, more complex sound.

What B Major 6 Is

The B Major 6 is a major triad — three notes stacked in a major-third + minor-third pattern. It is the most fundamental and harmonically stable chord in Western music. The major third gives it its bright, open, optimistic character, and the perfect fifth on top reinforces the root. Almost every popular song you have ever heard begins or ends on a major chord of some kind.

How B Major 6 Sounds

A B Major 6 sounds open, resolved, and confident. There is nothing pulling against itself in the chord — the major third and perfect fifth reinforce each other, and the chord can sit comfortably as a final resting point. This is part of why the major triad is the most-used chord in popular music — it sounds finished.

How To Use B Major 6 In A Progression

The most common functions for B Major 6 are I (tonic) in the key of B, IV (subdominant) in the key a fifth above, and V (dominant) in the key a fifth below. It also appears as bVI and bIII in minor keys, where it provides a sudden brightness against the prevailing minor tonality.

Playing B Major 6 On Guitar

On guitar, the most common voicings of B Major 6 use the open position when possible (which is why guitarists tend to favour keys like E, A, D, G, and C) and movable barre or half-barre shapes everywhere else. The voicing diagrams above show several practical positions across the neck — the open or low-fret voicings will sound brightest, while the higher voicings will have a thinner, more focused tone. Always experiment with which fingering serves the line you are playing.

Related Chords

Same root (B)

BBminB7BM7Bm7BdimBaugBsus2

Same quality (Major 6)

A# Major 6C Major 6C# Major 6E Major 6F# Major 6

See the music. Every interval has a color.

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