A Suspended 13th Guitar Chord

RRootP4Perfect 4thP5Perfect 5thM6Major 6thm7Minor 7th
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Voicing Positions (6)

RRP4m7P5M65 0 0 0 5 2
RRM6m7P4P55 0 4 0 3 0
4RRP4m7M6P55 0 0 0 7 0
RP4P4m7P5M65 5 0 0 5 2
6×RP4m7M6P5x 0 0 0 7 0
7×RP4M6m7P5x 0 0 11 8 0

Interval Colors

In shape.music, every interval has a unique color. The colors follow the function of each note relative to the root — so they change when you switch chords.

R
Root
m2
Minor 2nd
M2
Major 2nd
m3
Minor 3rd
M3
Major 3rd
P4
Perfect 4th
♭5
Tritone
P5
Perfect 5th
m6
Minor 6th
M6
Major 6th
m7
Minor 7th
M7
Major 7th

A Suspended 13th Chord

The A Suspended 13th chord is built from the intervals: Root, Perfect 4th, Perfect 5th, Major 6th, and Minor 7th. It contains the notes A, D, E, F#, and G. As an extended chord, it adds color and depth beyond the basic triad.

What A Suspended 13th Is

The A Suspended 13th is a suspended fourth chord — the third is replaced by the perfect fourth above the root. The fourth wants to resolve down to the third, which gives sus4 chords their characteristic forward motion. Held without resolving, they sound open and questioning; resolved into the parent major chord, they create the most basic and useful suspension in tonal music.

How A Suspended 13th Sounds

The suspended quality gives A Suspended 13th a sense of motion. It can either resolve directly into the parent major or minor chord, or be left hanging as a colour chord. In acoustic guitar arrangements, sus chords are often used to add melodic interest to a static harmony — strumming through A major, A sus4, A major creates the classic folk-rock sound of an embellished tonic.

How To Use A Suspended 13th In A Progression

Suspended chords almost always either resolve to or come from the parent major chord. They are most common as embellishments on the I, IV, and V chords of a key, adding melodic interest without changing the underlying harmony.

Playing A Suspended 13th On Guitar

On guitar, the voicings shown above represent practical fingerings across different positions of the neck. Open and low-fret voicings tend to sound fullest because of the ringing open strings; higher voicings give a tighter, more focused sound. Try each voicing in context — the right one is whichever sits best under your melody.

Related Chords

Same root (A)

AAmA7Amaj7Am7AdimAaugAsus2

Same quality (Suspended 13th)

G# Suspended 13thA# Suspended 13thB Suspended 13thD Suspended 13thE Suspended 13th

See the music. Every interval has a color.

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